Red and Black Victorian Walking Gown – Ensemble

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I made this striking gown to sell in my Etsy shop, but as soon as my daughter Shara saw it,  it became hers. I would say it has “attitude”.  She looked so stunning in it that I had to give it to her, and in retrospect, perhaps I made it for her without realizing that I was doing so!  Shara and her husband like to do a little Steam Punk once in a while and this gown lends itself  to that, as well as to a strictly Victorian look. Shara therefore considers it a pretty versatile addition to have in her historical wardrobe.SLR_2_5600-2 It did look wonderfully festive when it was worn to the Victorian Christmas at the O’Dell House Museum.

For accessories, I bought a plain black, buckled, ladies felted top hat to go with it. I decorated it with red lace, black french netting, a few cocky feathers, a black net train and a big red rose. It also has a black parasol and matching reticule. Shara also wears netted black crocheted gloves, and a black beaded choker. Black brocade Victorian style booties complete this ensemble.

IMG_0014-002This Victorian walking gown consists of a polonaise and a walking skirt. I find it has a French feeling to it and  I also like it as a riding habit. The skirt, which is made from a black embroidered taffeta, has one large ruffle and is trimmed in black and red venise laces and satin ribbon. It is slightly trained at the back.

SLR_2_5437-002The polonaise, is made in a rich blood red and black shot striped taffeta and is fully lined and boned. It incorporates both the bodice and the over-skirt and has a nice large bustle, as well as a pleated basque at the back.  It is trimmed with matching black venise lace, tulle lace at the neckline and sleeves, and  ruched black satin ribbon. I had about a half yard of a very long, red, 8 inch venise lace, which matched the red of the taffeta exactly, so I added that to the front of the polonaise as well. I find it really stands out against the black of the skirt. This bodice closes at the front with black satin fabric self made buttons.

I’m planning to make a variation of this ensemble again as it is so striking. I have more of the striped taffeta, not only in the red but in a blue as well.

Don’t forget to click on the pictures to get the full size and effect!SLR_4_2486-002

18th Century Gown Ensemble

SLR_2_9927-004I am doing some serious catching up for Man The Capstan the last few days. I was recently asked if Man The Capstan is still active, and although we are not able to get together as often as we would like, the answer to that is a resounding yes! We have experienced a number of changes in our lives the past couple of years however, and unfortunately this blog has been sadly neglected as a result. Therefore, I will be continuing to add a number of posts, over the next few days and weeks in order to bring this blog up to date.SLR_2_9828-001

This post will focus on a lovely 18th century colonial gown ensemble that I created for a young lady in Virginia. It is modeled by our own Man The Capstan crew member, Katherine, who looks just beautiful in it! The pictures were taken by Dave on a beautiful spring day with our blooming cherry tree as a back drop.

2011_07_011This two piece gown, was made using a basic pattern, but with a number of alterations made to the design. I used a beautiful, medium to heavy weight cotton, in cream with various hues of gold and coral to red sprays of ivy leaves on it. I also used a coral sateen or polished cotton for the contrasting underskirt and the stomacher portion of the bodice. The bodice is also fully boned and lined; this adds great shaping, as well as stabilization to the form. This can be worn without a corset, which sure does add to the comfort of it. Antique style lace flounces at the sleeves and a beautiful ivory venise lace were used to trim up this gown. The result was quite nice. This gown laces up at the back with gold grommets and ivory satin ribbon.

2011_05_14_pm-001In order to make these gowns so that they will fit a variety of sizes, or to allow the wearer to continue to make use of the gown, even if she gains or loses weight,  a three inch modesty panel is installed at the back opening. I  also leave a part of the skirt, at the back seam, free from the waist, which then gathers and ties up with satin ribbon. This can then be adjusted, according to how tight the lacing is done up, and prevents unsightly gaping or bunching at the back waistline. The back is slightly trained. Katherine is wearing a hoop skirt with this gown but the skirt sides are actually slightly longer then the front to accommodate panniers.

SLR_2_9763-004Also included in this ensemble was a matching reticule, a small flat crowned straw hat decorated with the sateen cotton, ostrich feather ribbons and lace, and a pair of cream silk habotai bloomers, made in the traditional way.

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